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Γίνετε Πωλητής / Υποβολή Προσφοράς(P/B) THE FORMAL METHOD IN LITERARY SCHOLARSHIP // A CRITICAL INTRODUCTION TO SOCIOLOGICAL POETICS
Περιγραφή
Interest in Russian formalists continues to grow. The literary theories put forward by this group have lost none of their power to stimulate the critical imagination. Because of formalism's vital connections to structuralism and because of its historical parallels with such movements as Anglo-American new criticism, The Formal Method in Literary Scholarship will appeal to a wide audience. M. M. Bakhtin and P. N. Medvedev combine a detailed critique of formalist theory with an introduction to sociological poetics which lays the groundwork for a Marxist semiotics of literature. In his introduction, Albert J. Wehrle relates the book to the other works produced by the Bakhtin circle and discusses the authorship controversy in textual, biographical, and historical contexts. The translation is annotated, and references to formalist texts are correlated with French and German translations. (From the publisher) "The Formal Method in Literary Scholarship directs its critique against the 'good opponent,' formalism, rather than the 'poor ally,' Marxist literary and social criticism, but its goal is to undermine the opposition limiting each and to force the two approaches to confront each other in some other form than that of simple, 'abstract' opposition." [David Carroll, Diacritics] "First published in 1928 under the name of P. N. Medvedev, it has of late been attributed to no less a figure than the distinguished literary scholar and theorist M. M. Bakhtin. This alleged dual authorship may account for the incisiveness and philosophical sophistication of The Formal Method." [Victor Erlich, Slavic Review] + Περιεχόμενα Introduction PART ONE: THE OBJECT AND TASKS OF MARXIST LITERARY SCHOLARSHIP CHAPTER ONE: The Study of Ideologies and Its Immediate Tasks Specification as the Basic Problem of the Study of Ideologies The Crises of the Idealist "Philosophy of Culture" [Kulturphilosophie] and Humanistic Positivism The Problem of Synthesizing Philosophical World View and the Concreteness and Objectivity of Historical Study The Concreteness and Materiality of the Ideological World Two Sets of Immediate Problems in the Study of Ideologies The Problem of Organized Ideological Material Meaning and Material: The Problem of Their Interrelationship The Problem of the Forms and Types of Ideological Intercourse The Concept of the Ideological Environment and Its Meaning CHAPTER TWO: The Immediate Tasks of Literary Scholarship The Reflection of the Ideological Environment in the "Content" of the Literary Work The Three Basic Methodological Errors of Russian Criticism and Literary History Literary Criticism and "Content" The Tasks of Literary History with Regard to "Content" The Reflection of the Ideological Horizon and Artistic Structure in the Literary Work The "Content" of Literature as a Problem of Esthetics and Poetics [...] PART TWO: A CONTRIBUTION TO THE HISTORY OF THE FORMAL METHOD CHAPTER THREE: The Formal Method in European Art Scholarship [Kunstwissenschaft] CHAPTER FOUR: The Formal Method in Russia PART THREE: THE FORMAL METHOD IN POETICS CHAPTER FIVE: Poetic Language as the Object of Poetics CHAPTER SIX: Material and Device as Components of the Poetic Construction CHAPTER SEVEN: The Elements of the Artistic Construction PART FOUR: THE FORMAL METHOD IN LITERARY HISTORY CHAPTER EIGHT: The Work of Art as a Datum External to Consciousness CHAPTER NINE: The Formalist Theory of the Historical Development of Literature +
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