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In this book, one of Italy's most important and original contemporary philosophers considers the status of art in the modern era. He takes seriously Hegel's claim that art has exhausted its spiritual vocation, that it is no longer through art that Spirit principally comes to knowledge of itself. He argues, however, that Hegel by no means proclaimed the "death of art" (as many still imagine) but proclaimed rather the indefinite continuation of art in what Hegel called a "self-annulling" mode. With astonishing breadth and originality, the author probes the meaning, aesthetics, and historical consequences of that self-annulment. In essence, he argues that the birth of modern aesthetics is the result of a series of schisms - between artist and spectator, genius and taste, and form and matter, for example - that are manifestations of the deeper, self-negating yet self-perpetuating movement of irony. Through this concept of self-annulment, the author offers an imaginative reinterpretation of the history of aesthetic theory from Kant to Heidegger, and he opens up original perspectives on such phenomena as the rise of the modern museum, the link between art and terror, the natural affinity between "good taste" and its perversion, and kitsch as the inevitable destiny of art in the modern era. The final chapter offers a dazzling interpretation of D?rer's Melancholia in the terms that the book has articulated as its own. The Man Without Content will naturally interest those who already prize Agamben's work, but it will also make his name relevant to a whole new audience - those involved with art, art history, the history of aesthetics, and popular culture. (From the publisher) + Περιεχόμενα Translator's Note 1 The Most Uncanny Thing 2 Frenhofer and His Double 3 The Man of Taste and the Dialectic of the Split 4 The Cabinet of Wonder 5 "Les jugements sur la poesie ont plus de valeur que la poesie" 6 A Self-Annihilating Nothing 7 Privation Is Like a Face 8 Poiesis and Praxis 9 The Original Structure of the Work of Art 10 The Melancholy Angel Notes +
9780804735544
1 Αντίτυπο(α)
Χρόνος αποστολής και χρεώσεις:

Λεπτομερειες

Εκδότης
STANFORD UNIVERSITY PRESS
ISBN
9780804735544
Σελίδες
148
Έκδοση
1999
Τύπος
ΕΝΤΥΠΗ ΕΚΔΟΣΗ
Κατάσταση
Καινουριο

Συγγραφέας: AGAMBEN GIORGIO

AGAMBEN GIORGIO

Ο Ιταλός φιλόσοφος και συγγραφέας Giorgio Agamben (γενν. 1942, Ρώμη) δίδαξε Αισθητική και Φιλοσοφία στο Ινστιτούτο Αρχιτεκτονικής του Πανεπιστημίου της Βενετίας, στο Διεθνές Κολέγιο της Φιλοσοφίας στο Παρίσι και σε πολλά άλλα πανεπιστήμια σε διάφορες χώρες. Ανέλαβε την επιμέλεια της ιταλικής έκδοσης των Απάντων του Walter Benjamin. Υπήρξε μαθητής του Martin Heidegger τη δεκαετία του 1960 και συνοδοιπόρος με τη σκέψη, μεταξύ άλλων, των Guy Debord, Gilles Deleuze, Michel Foucault και Walter Benjamin. Έχει συγγράψει, μεταξύ άλλων, τα έργα: La Potenza del pensiero (2005), Homo Sacer (1995), Mezzi senza fine: Note sulla politica (1996), Quel che resta di Auschwitz (1998), Laperto, Luomo e l’animale (2002), Stato d’eccezione (2003· ελλ. έκδ. Κατάσταση εξαίρεσης, Εκδόσεις Πατάκη, 2007) Profanazioni, Nottetempo (2005), Il Regno e la Gloria. Per una genealogia teologica dell’economia e del governo (2007), Stasis. La guerra civile come paradigma politico (2015). Από τις Εκδόσεις Πατάκη κυκλοφορούν τα έργα του Γούστο (2023), Κατάσταση εξαίρεσης (2008), καθώς και ο τόμος Πού πηγαίνει η δημοκρατία; (2013), με κείμενα των G. Agamben, A. Badiou, W. Brown, S. Zizek κ.ά.

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